It All Started Here

Every Note, A Story. Every Song, A Journey.

Howdy and Welcome…


I’m Elson G. Smith III — hence the name EGS3 Sound Works — and I’ll be your tour guide today.

Before we go any further, I want to thank my sweet wife for putting up with me for more than 36 years. That kind of loyalty ought to come with a trophy and a comfortable chair.

This website is not just a legacy piece. It is my music through the years — a personal scrapbook of scars, stories, hard miles, second chances, and songs that refused to stay quiet.

To state it simply as a matter of fact, every single album on this website was produced by me, and every song here was written by me. I don't say that to brag, but rather to show the sheer time, heart, and dedication poured into this catalog. People often ask if I also sang or played on them. The answer is yes, in the background. I did enough frontman work in my younger years to last me a good long while.

These days, however, I’m most at home behind the scenes. I am a writer at heart and soul—that is where everything begins for me. That shift became permanent back in 2016 when I had a few mini-strokes. By God's grace and His protective hand, I survived them, though they did leave their mark. They took a toll, costing me my singing voice. Around that same time, a severe pinched nerve in my neck—a condition known medically as cervical radiculopathy—made playing the guitar impossible. It causes too much pain to play and sends a persistent numbness straight into my left-hand fingers.

Because of those challenges, I no longer play instruments or sing. But honestly? Behind the glass is where my true calling has always been. It allows me to fully protect the song, focusing on the writing, arranging, guiding the project, and placing the harmony exactly where it belongs. Besides, I sang and performed on plenty of stages back in the 1960s and 1970s with my family band. and the 80's on my own. I loved it, and at times I hated it (more on that later). That is usually how you know it was real.

So just to be clear, I don't perform these days. And while I never got famous—except in my own mind—I had a whole lot of fun. I wouldn’t trade those memories for anything; they gave me a lifetime of things to write about (well, most of them anyway).

If you're still curious, read on below. It’s about an 8-minute read to learn a little more about the road that got me here. And keep in mind, there's a reason I wrote, "This road ain't done with me yet."

Elson Smith JR

A Quick - IN THE BEGINNING

It all started in the early 1950s, a few years before I was born, with the man who struck the first chord in this story: my dad, Elson Smith Jr.

He was playing bluegrass under the hot lights of RCA Studio B in Nashville, Tennessee, picking his 1948 Gibson EM-150 Electric Mandolin with Horace Jones and the Country Boys. Back then, that was the real country dream. In 1953, the band was booked to play the same New Year’s Day show Hank Williams never made it to. Hank’s death stayed with my father.

Then in 1964, that ghost finally caught up with him when he wrecked his Harley Panhead on a gravel curve. That crash changed everything.

At the time, I was a seven-year-old—fully grown, at least in my own mind. Dad had been gone so much on the road that I already figured I was the man of the house. The night of his wreck, Mom and I were watching The Red Skelton Hour when the phone rang. It was his band members calling from the emergency room. We rushed to the hospital, and right there from his bed, Dad told us he was done with music. And he meant it.

When he got back home, sitting in his favorite knotty-pine den and studio, he became a born-again believer. He got baptized, walked away from the honky-tonks, and left Nashville behind—along with the music world and friends like Roy Clark and Buck Owens. He didn't touch a guitar again for five years. He wasn't a perfect man, and he'd be the first to admit that, but he was a changed man. No farewell show. No encore. Just a man who'd seen enough and found something greater.

Then one day in December 1968, completely out of the blue, he brought home a Martin guitar. He pulled out his old 1960 Gibson Hummingbird—I didn't even know he still had it—handed it to me, and said, “Son, Merry Christmas. It’s time we played a little music. You’re grown up now, so this is your Hummingbird.” That was the exact moment the spark got passed down.

By 1969, he was running his HVAC company and playing in church. Somewhere along the way, he decided I needed to learn music whether I liked it or not. He taught me to sing and play guitar, bought me a Yamaha spinet piano, an accordion, and an Oscar Schmidt Autoharp, then told me to learn them all. It wasn't a suggestion. I hated it at the time because it kept me away from my friends, but I learned to play them all, mostly by ear.

Later that same year, Dad decided to start a family band, and I was in. We began simply as Smith, but after a battle of the bands, we discovered another group already owned the name, so we became The Smiths. It was my dad, me, my two younger brothers, and later our little sister (mostly for the cuteness factor), with my mother running things as our iron-fisted manager. And yes, she absolutely was.

Dad and I sang as a duo, with my brothers backing us up. We had sweet harmonies, or so I’m told. The singing part was fine; it was the traveling I hated. We were on the road every weekend during the school year and all summer long—traveling from church to church, old folks' homes, battle of the bands, and tent revivals all over the East Coast from West Virginia to Florida. Half the time, I felt like I was living inside Neil Diamond’s “Brother Love’s Traveling Salvation Show.”

Being the oldest meant I was also the crew. No stagehands, no roadies. Just me, sweat, cables, and conviction. Before I was old enough to drive, I was already the sound check guy, the engineer, and the heavy lifter—the fellow behind the fellow behind the show. Working with my dad in the band was a great experience, but like many bands, it was also the very thing that pushed us so far apart. It took twenty-two years before we even tried to be family again. So much time was lost; I was just too angry, and my dad was a proud man who would never admit he was wrong. We hit a total impasse. Sadly, he has passed away now, and that time will always be lost—until I see him in heaven again. Anyway some of the pain in my songs was from that part of my life, but I digress...

In 1973, at just sixteen years old, I graduated high school and ran to BJU in Greenville, South Carolina as fast as I could. My parents had decided to go to Japan to serve as missionaries for four years, and since I didn't want to go with them, college was my ticket out. Because of my age, I ended up a ward of the dean at BJU. That's a story for another day, but let’s just say "I made the dean’s list"—just not the one mothers brag about.

By 1976, at nineteen, I landed a job at WAVY-TV 10 in Portsmouth, Virginia, working as a sound board engineer, audio editor, and producer. That was the real beginning of my own independent journey.

Now let’s jump ahead in time…

egs-intro-tx
Thank God For Texas

2026

My journey’s been shaped by a lot of chapters, but none more defining than my faith, when I became a born-again believer back in 1999. Now, I don’t claim to be perfect—in fact, while I am better, I’m still far from good. I’m a work in progress, just a man who’s been forgiven and found peace in God’s promises. His truth is the foundation of everything I create.

If you’re looking for redemption, check out Turn-180°.

Read on below…


And this story? It doesn’t end with a hook and a fadeout.

I mentioned in the intro I don't perform anymore and why. That has not changed, I still don't perform publicly and have no plans on doing so, but I’m as active as ever behind the scenes. Whether I'm leading EMS EFX, Inc. or running EGS3 Sound Works—and fueling our Music Access Program behind it all—I’m still writing, composing, and producing every day.

I don’t chase trends; I prefer partnering with artists, churches, and nonprofits who are driven by purpose and have a real message to share with the world.

This site shares the music and stories that have traveled with me over the years. Every track here is personal. While animation and digital media usually take the front seat these days, music is always right there—like a good speaker humming just behind my head.

If something here speaks to you, I’d be honored if you shared it. God has blessed me beyond measure, and I’m just grateful to keep creating alongside folks who value the truth.

At the heart of everything I’ve built is one simple truth: music changes lives when people are given the opportunity to create, learn, and be heard.

That's exactly why we launched the Music Access Program. It's a community-driven initiative focused on helping kids, teens, young adults, schools, and colleges across Texas gain access to music education, creative mentorship, and professional tools that are so often out of reach.

Through the Music Access Program, we provide hands-on opportunities to learn songwriting, recording, music production, mixing, and digital media creation. We believe talent should never be limited by access, and that creative expression builds real confidence, discipline, purpose, and real-world skills.

Everything we do at EGS3 Sound Works helps support that mission. A portion of the proceeds from our music, albums, and creative projects goes directly to funding the Music Access Program, helping us provide equipment, learning resources, mentorship, and creative opportunities for the next generation.

This is more than just music. It’s about opening doors, building confidence, developing skills, and helping young people create something meaningful they can truly be proud of.

To learn more or see how you can get involved, visit our Charity Music Access Program Page.

May God bless you.

Reach Us

Dallas/Fort Worth Metroplex
Irving /Las Colinas

391 Las Colinas Blvd E. Ste 130-2141
Irving, TX, 75039-62911, USA

214-210-3535

Copyright © & ℗ Elson Smith | EGS3 Sound Works | All Rights Reserved.
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